Tuesday, August 23, 2011

Spacetaker presents iPerform by Continuum



As part of its ARC Exhibition Series,Spacetaker presents iPerform, a performance-based exhibition and series of participatory events created by Houston’s newest performance art group, Continuum, at Spacetaker’s ARC Gallery. iPerform consists of an opening night, three free performance art workshops, and a closing event.

iPerform will open with a public reception on Friday, August 26 from 7 to 10 p.mduring which the members of Continuum will display documentation of their work through video and photos, and share live performances that are an extension of this work. In addition to viewing the live performances, the audience will be able to interact with several performative installations and partake in a variety of participatory performances, including:

  • Guided visualization/meditation
  • Cleansing through ritualistic sweeping
  • Confessing sins in exchange for an alcoholic beverage
  • Preparing a “shoeulogy” for a shoe graveyard
  • Making photocopies of random body parts for a wall collage

The primary goal of iPerform is to create an encouraging and safe atmosphere for the community to explore themselves through the medium of performance. The exhibition will be on view at Spacetaker’s ARC Gallery through September 16, 2011 and is free and open to the public.

Performance Art Workshops:
During the run of the exhibition, the artists of Continuum will facilitate three performance art workshops that are free and open to the public. The workshops will provide opportunities for the community to learn how to create their own performances. Continuum will provide guided exercises, encouraging feedback, and their own performances created specifically for the audience and the space. The closing event will be devoted to performances that arise out of the workshops.

WHAT:Spacetaker ARC Exhibition: iPerform by Continuum
WHEN:
Exhibition Dates: August 26 - September 16, 2011
Opening Reception: Friday, August 26, 7 - 10 p.m.
Second Saturday Open Studios: Saturday, September 10, 2 - 5 p.m.
Performance Art Workshops:
Monday, August 29, 7 - 10 p.m.
Monday, September 5, 7 - 10 p.m.
Monday, September 12, 7 - 10 p.m.
Closing Event: Friday, September 16, 7 - 10 p.m.
WHERE:
Spacetaker ARC Gallery located in Winter Street Studios
2101 Winter Street, B11, Houston, TX 77007
COST:Free and open to the public
MORE INFO:www.spacetaker.org or continuumperformanceart.blogspot.com or call 713.868.1839


PERFORMANCES:

Julia Wallace leads “Group Meditation” with visualizations and affirmations created especially for the audience in attendance. This preparation for openness and acceptance is a Continuum ritual and tradition.

Koomah gathered fascinating stories about shoes donated to him for“Shoeulogies – Preparation for a Shoe Graveyard.”Shoes are laid to rest following eulogies written by the artist. The audience is then summoned to prepare a shoeulogy for the shoes they are currently wearing.

Christine Cook explores intimacy with a stranger in “Not There,” choosing an audience member to take stage with her and perform a typically autonomous and private task. Do the intimate actions we sometimes share with another always maintain that genuine closeness, or does it fade? Can it be found with a stranger?

Raindawg asks the audience to observe “Crucifun[k]tion,” uncovering the erotic body of Christ in female form and challenging the absurdity of a social order that is founded on denial, oppression, and violence. The piece points to the parallels between Christ crucified and BDSM.

In “Cornish Game,” Sway Youngston, wearing a costume assembled from industrial food packaging, moves through the audience offering processed food. She will then take stage and recite original poetry based on the American industrial food system.
A number of permanent performative installations will be ongoing throughout opening night.

Hilary Scullane welcomes the audience to scan their body parts in a copy machine booth in her piece “Copy Me.” The artist will then create a massive collage with wheat paste on a wall in the gallery as part of the performance.

Bryce Galbraith’s installation, “Fairy Tale Cave,” allows guests to adorn costumes and use props to tell their personal mythologies while being photographed.

Emily Sloan performs cleansings on guests in the gallery through ritualistic sweeping in “a Sweep.”


Jonatan Lopez’s installation, “Absolution Mini Bar” invites the audience to confess their sins in exchange for alcoholic beverages, quenching their thirst for spiritual redemption while examining our perceptions of social deviance and poking fun at the nature of religion in general.

About Continuum:
Continuum is a group of performance artists that came together in a performance art workshop facilitated by Julia Wallace in March and April of 2011 at The Jenner House. Through the four week interactive experience we discovered ways of creating powerful performances through collaboration, participation, experimentation, documentation and encouraging feedback. We are connected in the desire to help and encourage each other's self discovery through performance, as well as a desire to give the gift ofperformative expression to others. For more information about Continuum please visit www.continuumperformanceart.blogspot.com.

Continuum’s Participating Members: Meghan Carey, Bryce Galbraith,KoomahJonatan Lopez, Raindawg, Hilary Scullane, Christine Cook, Emily Sloan, Julia Wallace, and Sway Youngston.

About Spacetaker:
Spacetaker is a 501(c)3 professional organization and Artist Resource Center located in Houston’s First Ward whose mission it to provide artists and small non-profits access to economic development, continuing education, and networking opportunities to support their professional growth. More at www.spacetaker.org.


Thursday, August 4, 2011

Death Star: The Conference (Review)



Death Star: The Conference examined new apocalyptic theories such as the imminent arrival of a hypothetical dwarf star in our solar system called Nibiru, its disastrous effects in our planet and a government conspiracy plan called Depopulation, while proposing the idea that everything we are, see and do is a virtual manifestation of our deepest emotions, Love and Fear.



In a series of videos, Eric Anthony Crew explained the philosophy behind Sacred Geometry, exposed his research pertaining to the concepts of reality and consciousnesses, and shared his views on the upcoming ascension of humanity into a higher state of consciousness, linked to the end of the Mayan calendar.

Julia Wallace prepared us to deal with the dark content of the program by painting a third eye in our foreheads and guiding us through a meditation session, aided by a recording of her voice enhanced with futuristic sound effects.




Sway Youngston and Raindawg impersonated two members of a new cosmic religion called “The Alphas.” They studied with us two newspaper articles from the future containing information about a group of artists that exposed classified NASA files in the year 2011 through a project called Death Star, the rise of their own religion, the theories of Nibiru and Depopulation , and the imprisonment of conceptual artist Jonatan Lopez.


Alex Tu improvised a sound performance that invited the audience to close their eyes and travel into outer space through abstract vibrational frequencies.


Keith Brimmer and Jonathan Richie showed us how to infuse a joint with love. Keith played a guitar cover of ‘Love Song’ by The Cure to Jonathan rolling two fat joints that were smoked in the patio during Death Star’s private after party.


Raindawg played an audio recording by FBI agent Roland Skinner, explaining how he infiltrated the cult-like performance art group Continuum and became aware of the declassification of NASA files through the art project called Death Star.

Stephanie Saint Sanchez shared with us her film “This One Time in Texas,” featuring colorful characters preparing for an imminent apocalypse.

James Ciosek constructed Sun Hunter v2. a solar power bicycle made to withstand an apocalypse, equipped with hunting gear, solar power grids, and many other useful features. Sunhunter was on display on the front lawn of Skydive.

Continuum performed ‘Shiva Renaissance,” a poem that artist Levi Rosen composed for the occasion.



I, Jonatan Lopez, impersonated a blind priest, recited the lyrics of Built Then Burnt, a song by ‘A Silver Mount Zion’ and guided the audience through a final affirmation, encouraging them to conquer their apocalyptic fears with Love. I also invited our guests to participate in future Death Star endeavors, including a series of media based art projects to be released prior to October 28th 2011 (Planetary alignment date).



“The artist that does not want to be named” provided refreshments for the after party, during which we played more songs, engaged in interesting dialogue and thanked the universe for the new friendships and bonds we encountered.
Death Star is inspired by the final messages of Daniel Crew (a former NASA pilot) and dedicated to honor his legacy.
Special thanks to Eric Anthony Crew, Sarrita Hunn, Ryan Thayer, Ana Guzman, Carrie Schneider, Jason Jeffrey, Skydive and ‘the artist that does not want to be named.’
Images courtesy of Carrie Schneider, Jason Jeffrey, Ana Guzman and Tonya CatLady.
Conceived by Jonatan Lopez



Invocations to the Rain


Through our Inner Selves


Through Raindawg

These invocations were performed as an attempt to change the weather once upon a drought in Texas. They happened during Meghan Carey's "Let It Begin With Me," and evening of meditaion and rain dance at Herman Park, Houston on July 2nd of 2011. Four  days later, it started raining.

Facilitated by Continuum